Seong Moy’s “Zen Buddhism”

Selected Writings of D.T. Suzuki

Edited by William Barrett

Doubleday Anchor, 1956

Cover design by Seong Moy

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(Next post on Monday: A Happy New Year)

Seong Moy’s “Uncle Remus: His Songs and His Sayings”

Joel Chandler Harris

Woodcuts by Seong Moy

Heritage Press, Norwalk, 1957

58 woodcuts of which 10 are full-page

Title page spread

Sandglass

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Seong Moy’s “Stories from Old China”

A Few Details About Seong Moy

(Next post: Seong Moy’s “Zen Buddhisn”)

Seong Moy’s “Three Ways of Thought in Ancient China”

Arthur Waley

Doubleday and Co., 1956

Cover design by Seong Moy

Typography by Diane Klemin

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Seong Moy’s “Stories from Old China”

A Few Details About Seong Moy

(Next post on Wednesday: Seong Moy’s “Uncle Remus: His Songs and His Sayings”)

Seong Moy’s “Dream of the Red Chamber”

Tsao Hsueh-Chin

Translated and Adapted from 

the Chinese by Chi-Chen Wang

Doubleday & Company, 1958

Cover Art by Seong Moy

Typography by Edward Gorey

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(Next post on Wednesday: Seong Moy’s 

“Three Ways of Thought in Ancient China” )

Seong Moy’s “Chinese Love Poems”

Edited by D. J. Kremer

Hanover House, 1959

Eight color plates and 

seven line drawings

Dust Jacket

Cloth Cover

Frontispiece

Title Page

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(Next post on Wednesday: Seong Moy’s “Dream of the Red Chamber”)

Illustration and Photography: Joe Wong, Cook

Standard Oil Bulletin, December 1922

Cover art by Harold von Schmidt

“Let’s Talk Turkey”, pages 2–5, 13

A photograph caption in a 1926 issue of 

Standard Oil Bulletin said “Joe Wong 

(fourth from the left) is proud possessor 

of a twenty-year pin of the Standard Oil 

Company’s Order of Service.” 

(Next post on Wednesday: Seong Moy’s Chinese Love Poems)

Seong Moy in Print Magazine

June-July 1954

Wraparound cover art

Photograph

This is Seong Moy, designer of this issue’s 

cover and subject of the article on page 38.

Pages 38–43: “You Draw With Brush or Pencil—

Style Is a Way of Thinking ...”

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(Next post on Wednesday: Joe Wong, Cook)

Who Created the “How to Use Chopsticks” Illustrations?

Above: Disposable chopsticks wrapper scanned on October 10, 2022.

Who made the “How to Use Chopsticks” illustrations on the disposable chopsticks wrapper is a mystery. The date of its introduction on the wrapper is unknown. Also, it’s not clear when mass production of disposal chopsticks began for use in the United States.

Some wrappers have a date. In 1986 McDonald’s introduced Chicken McNuggets Shanghai. The chopsticks were produced in Japan and South Korea. 

In the 1970s, British Airways had disposable chopsticks on some their flights. The third step added animation to show the chopstick’s movements. 

This boxed set of drawings was published in the Sunday Magazine of the Cleveland Plain Dealer (Ohio), May 16, 1971.

A newspaper syndicate produced these drawings that appeared in the Augusta Chronicle (Georgia), August 31, 1972; Arkansas Democrat (Arkansas), October 5, 1972; and Houston Chronicle (Texas), February 1, 1973, among others. 

The Chicago Daily News (Illinois), July 18, 1975, shared this version with their readers. 

Another version appeared in the August 5, 1979 edition of the Richmond Times-Dispatch (Virginia).

Wrappers from the 1960s with instructions have not been found. Two illustrated Chinese cookbooks from the 1960s featured three-steps on how to use chopsticks. The Joyce Chen Cook Book (1962) chapter, Using Chopsticks the Proper Way, showed four illustrations and three steps. The illustrator was not credited. The three-step drawings by Grambs Miller (aka Grambs Aronson), were made for Grace Zia Chu’s The Pleasures of Chinese Cooking (1967). The illustrations were reprinted in the Dining Guide of the Times-Union (Albany, New York), June 8, 1969.

Evidently the earliest appearance of the three-step drawings was in St. Nicholas, April 1890. “How to Use a Pair of Chopsticks” was written by Eliza Ruhamah Scidmore. (The engravings were reprinted in her 1891 book, Jinrikisha Days in Japan.) An unknown model held the chopsticks for the artist to draw. It’s not clear who made the engravings and where they originated (Was it in Japan or the U.S.?). The simple three-step drawings from 1890 and today are virtually identical.

Scidmore’s article was reprinted in several newspapers including the Globe-Republican (Dodge City, Kansas), June 18, 1890. Later in 1890, a four-step method of using chopsticks was published in a number of newspapers including the Salt Lake Herald (Salt Lake City, Utah), September 21, 1890, Helena Independent (Montana), September 21, 1890 and Roanoke Times (Virginia), October 4, 1890. 

Images of chopsticks had appeared much earlier. The rice-bowl and chopsticks engraving (below) was published in China: A General Description of That Empire and Its Inhabitants (1836) and later appeared in Ballou’s Dollar Monthly Magazine, October 1857 and Frank Leslie's Popular Monthly, December 1877. 

The Nature of Man (1870) had a page displaying chopsticks with other utensils and this explanation:

… Much misunderstanding prevails as to the use of the chopsticks, many persons supposing that they are held one in each hand, after the manner of knives and forks in Europe. These curious implements are both held in the right hand after the following manner. One of them is taken much as a pen is held, except that, instead of being held by the thumb and forefinger, it passes between the tips of the second and third fingers. This chopstick is always kept stationary. The second chopstick is held lightly between the thumb and forefinger, and can be worked so as to press with its tip against the point of the other, and act after the manner of pincers. …

New York Chinatown was featured in the Savannah Morning News (Georgia), July 25, 1886. The illustrated article included a hand holding chopsticks (step two position) and this description: 

… I took up my chopsticks, two bits of black wood about as big round as a lead pencil and twice as long, and proceeded to struggle with them. A quiet Chinaman seated at the next table with a bowl of rice in front of him perceived my difficulty and politely showed me how to use them. It is not difficult when one gets the hang of them. You must hold one rigidly, letting the upper end project over the hollow of the hand, as the average school boy holds his pen, and griping it firmly between the second joint of the thumb and the ball of the fourth finger. The other is held lightly as a good penman holds his pen, between the first and second finger and the ball of the thumb. ...

The Evening Star (Washington, DC), May 4, 1889, published an account of a visit to Japan. It included an illustration of a hand with chopsticks holding a piece of food (step three position) and mentioned disposable chopsticks. 

... The diner takes up with his chopsticks a slice of fish and radish and dips them in the sauce before carrying them to his mouth. Toward the end of his meal he will remove the saucer-shaped top from his rice bowl and pass it to the attendant, who will place on it usually four slices of some kind of preserved or pickled vegetable. This he will eat as a relish with his rice. The odor is strong and objectionable to foreigners, but one soon acquires a taste for it, and it becomes an indispensable table article with rice. The chopsticks are usually of wood and about ten inches long. Incased in a little paper sheath, they are placed on the table or tray with the dinner. The cheaper and commoner chopsticks given to a guest at a hotel are supposed to be used only at one meal. They are merely cedar ticks. Some of the chopsticks, however, are lacquered, and when the guest has finished eating with such a pair he wipes them on a napkin. Chopsticks like those, when used, are left in the guest’s room, to be used by him whenever he has a meal served. The chopsticks are grasped both between the thumb and index finger. The middle finger is thrust between them to form a fulcrum, and then the chopsticks are used like a tiny pair of tongs, with which morsels of food are picked up. ...

According to Chopsticks! An Owner’s Manual (1991), disposable chopsticks were invented by Tadao Shimamoto in 1878. Scidmore’s article included an engraving of them. 

Possibly in the 1880s or 1890s, Japanese disposal chopsticks were brought to the United States. The Morning Telegraph (New York, New York), June 28, 1903, described a Japanese meal on the Madison Square Garden Roof and mentioned disposable chopsticks.

… The dinner is served upon a peculiar little tray of inlaid teakwood, and beside the dishes are the chopsticks. The Japanese chopsticks differ from those used by the Chinese. The Japanese sticks are made from ordinary pine wood, and are placed before the diner in one piece. This shows they never before have been used, and the diner tears them apart. 

After having once been used, the chopsticks are thrown away. ...

Thanks to the Japanese, we have disposable chopsticks and fortune cookies. (Read Jennifer 8. Lee’s 2008 book, The Fortune Cookie Chronicles.)

MISCELLANEOUS

Here are some rare depictions of chopsticks in the left hand. 

Herald Statesman (Yonkers, New York), January 8, 1937

Marge’s Lulu and Tubby in Japan, May–July 1962

Maldives, 1996

On television, an early appearance of Chinese takeout and chopsticks appeared in the controversial series, All in the Family, which showed son-in-law Mike Stivic bringing Chinese takeout for dinner. Loose chopsticks were taken out of the bag. Within five minutes, you’ll hear chink, chinkish, chinks, chinky and gooks. The episode, “Flashback: Mike Meets Archie”, was broadcast on October 16, 1971. In Barney Miller, Sergeant Nick Yemana (Jack Soo) searches his desk for chopsticks to eat his takeout meal. That episode, “Ms. Cop”, originally aired on March 13, 1975. 

And in case you missed it, National Chinese Take-Out Day was November 5. 

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Ngoot Lee, Artist, Cook and Charter Member of the Group of the Oblong Table

Oriental Restaurant, New York City

Soy Kee & Company and Port Arthur Restaurant, New York City

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Woey Sin Low, New York City

(Next post on Wednesday: Seong Moy in Print Magazine)

Comics: Paul Fung’s “Dumb Dora” Advertisements

A selection of Ralston cereal advertisements from 1940 to 1942. The advertisements below appeared in Life and Look magazines and some can be found on eBay. Advertisements in Life are in these issues: February 26, 1940, April 29, 1940, July 1, 1940, September 2, 1940, and October 28, 1940. 

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Paul Fung in the American Art Annual
Paul Fung and the Seattle Post-Intelligencer
Paul Fung and the Landon School
Paul Fung in World’s Finest Comics
Paul Fung in Pen and Ink
Paul Fung in Ron Goulart’s Comics History Magazine
Paul Fung in the Seattle Star
Paul Fung in The Makins’ of a Soldier in Twenty Spasms
Paul Fung in the Tolo Annual 1915
Paul Fung in The Editor & Publisher
Paul Fung in Motion Picture World
Paul Fung in The American Boy
Paul Fung, Keye Luke and Art Huhta in Seattle
Paul Fung, Soo Yong, Anna Chang, Yun Gee and Willie Fung in The China Weekly Review
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Paul Fung and His Daughter, Pauline

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Paul Fung’s “Bughouse Fables”

Paul Fung’s “Dumb Dora”

Paul Fung’s “Polly and Her Pals”

Silas Fung

Timothy Fung, Commercial Artist

Mrs. Silas Fung

(Next post on Wednesday: Who Created the “How to Use Chopsticks” Illustrations?)

Comics: Paul Fung’s “Polly and Her Pals”

American Newspaper Comics (2012) said Polly and Her Pals was created by Cliff Sterrett. The comic strip appeared daily and Sunday. The last daily strip signed by Sterrett was dated March 9, 1935. Paul Fung took over the daily strip on March 11, 1935. The daily strip continued unsigned to March 28, 1942. Other ghost artists were Vern Greene, John Kowalchik, Fred Schwarze and Bob Dunn. Below are strips dated March 9 (Cliff Sterrett), and 11 through 16 (Paul Fung). 

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Paul Fung in the American Art Annual
Paul Fung and the Seattle Post-Intelligencer
Paul Fung and the Landon School
Paul Fung in World’s Finest Comics
Paul Fung in Pen and Ink
Paul Fung in Ron Goulart’s Comics History Magazine
Paul Fung in the Seattle Star
Paul Fung in The Makins’ of a Soldier in Twenty Spasms
Paul Fung in the Tolo Annual 1915
Paul Fung in The Editor & Publisher
Paul Fung in Motion Picture World
Paul Fung in The American Boy
Paul Fung, Keye Luke and Art Huhta in Seattle
Paul Fung, Soo Yong, Anna Chang, Yun Gee and Willie Fung in The China Weekly Review
Paul Fung in The Quill

Paul Fung and His Daughter, Pauline

Dining with Cartoonist Paul Fung

Paul Fung’s “The Guy from Grand Rapids”

Paul Fung’s “Gus and Gussie”

Paul Fung’s “Bughouse Fables”

Paul Fung’s “Dumb Dora”

Paul Fung’s “Dumb Dora” Advertisements

Silas Fung

Timothy Fung, Commercial Artist

Mrs. Silas Fung

(Next post on Wednesday: Paul Fung’s “Dumb Dora” Advertisements)