Showing posts with label Art Students League. Show all posts
Showing posts with label Art Students League. Show all posts

Wednesday, July 23, 2025

A Few Details About David Wu Ject-Key, Artist

The Artist, August 1958

David Wu Ject-Key was born on May 24, 1895 at Chung Shan, China. The birth date was on his World War II draft card. The birthplace was in his Who’s Who in American Art (1959) entry and brief profile in American Artist. Presently all publications and online profiles say Ject-Key was born in 1890. The source of that date is not known.

The profile at Vose Galleries said Ject-Key lived in China for twelve years before immigrating to Canada, presumably with one or both parents. In The Artist, September 1958, Ject-Key said he was in his early teens when he went to Canada. American Artist, June 1962, said Ject-Key was born 1897. After finishing high school he went to Canada and studied four years at the Royal Canadian Academy in Montreal. In 1925 he moved to New York City.

Actually Ject-Key moved to New York City in November 1920. He traveled on the Canadian Pacific Railway from Montreal to St. Albans, Vermont. The purpose was to study for a number of years (column 20) in New York. His Chinese Exclusion Act case file is not available.


American Artist said “he continued intensive training for six years at the Art Students League and the Grand Central Art School.”

Ject-Key has not been found in the 1925 New York State Census. A 1925 New York City directory listed him at 1947 Broadway in room 508.

 
On June 11, 1927, “Daniel” Ject-Key and Elrebette [sic] Kjaersgaard married in Manhattan. His address was 1949 Broadway. The artist claimed his birthplace was Montreal, Canada.


Ject-Key and his wife have not been found in the 1930 United States Census. The Handbook of Chinese Students in U.S.A., 1933, had this entry:
David, Jectkey, Art, Art Student’s League, 40 [sic] E. 9th St., N. Y. C., N. Y.
The building number was 49. The New York Daily News, August 20, 1935, published the following item from Ed Sullivan’s “Broadway” column.
Interesting story on O. Henry in the “Villager” by Lefty Leftwich, member of the 1924 U. S. Olympic team. He found that David Jectkey, a portrait painter, now occupies the skylight attic at 49 E. 9th where O. Henry worked and lived forty years ago. 
A 1958 issue of Zig Zag said
We visit the studio of David Ject-Key, Chinese-born artist who combines the techniques of his native land and the Western countries in which he studied. We will watch Ject-Key at work and have a discussion of with both of them of Oriental and Western art. Those of us who enjoy historic associations will be delighted to know that Mr. Ject-Key lives in the “Skylight Room” once occupied by O. Henry and immortalized in his short story of that name.
The 1940 census counted Ject-Key (line 1) and his wife, both artists, at 49 East Ninth Street in Manhattan. They were self-employed.

 
The same address was on Ject-Key’s World War II draft card which he signed on April 27, 1942. His description was five feet six-and-a-half inches, 130 pounds, with brown eyes and black hair.


On August 10, 1942 Ject-Key’s wife, Elsie, began the naturalization process. On her declaration application was Ject-Key’s birth information and immigration date and place. Ject-Key’s declaration application is not available.


In 1945 both were naturalized; Elsie on January 15 and Ject-Key on May 16. He had changed his name from David Ject-Key to David Wu Ject-Key.


On August 24, 1946 Ject-Key and his wife were aboard the ship Gripsholm when it departed Gothenburg, Sweden. They arrived at the port of New York on September 3, 1946.

In the 1950 census Ject-Key (line 4) and his wife, both fine arts painters, continued to reside at 49 East 9th Street, apartment 6. According to the census he was a graduate of a professional school and did not serve in the United States Armed Forces.

 
Ject-Key was a member of the Salmagundi Club.

On September 26, 1955 Ject-Key and his wife flew on TWA from Paris, France bound for New York City.

The Artist, September 1958
 
The Artist, October 1958
 
The Artist, November 1958
 
The 1959 and 1960 Manhattan directories had the same address for Ject-Key.

American Artist, June 1962, said Ject-Key’s watercolor, “Desolation”, was “awarded the American Artist Medal of Honor in the 95th Annual Exhibition of the American Watercolor Society. The painting was done on mounted rice paper, 36 x 30 inches, from a professional model.”

Ject-Key passed away on April 14, 1968. Two days later an obituary appeared in The New York Times.
David Wu Ject-Key, an artist, died Sunday at Beth Israel Hospital. He lived at 333 East 41st Street.

Mr. Ject-Key was the recipient of 23 prizes, among them the American Artists magazine Medal of Honor.

A native of China, he studied at the Art Students League and the Grand Central Art School. His work has been exhibited by the National Academy of Design, The American Watercolor Society and others. He had a one-man show at the Grand Central Art Galleries in February.

He leaves his wife, Elsie, also an artist.
The D. Wu Ject-Key Memorial Prize was established in 1970.

Elsie passed away in December 1985.

 
Further Reading and Viewing
Prize-Winning Art, Book 7: Paintings, Graphics, Watercolors, Sculpture (1967): photograph of Ject-Key
Salmagundi
Smithsonian Institution: photograph of Ject-Key

 
(Next post on Wednesday: Siuling Wong, Artist in China and Hong Kong from 1909 to 1937)

 

Friday, December 7, 2018

Hon Chew Hee, Artist

Hon Chew Hee was born on January 24, 1906, in Kahului, Maui, Hawaii.

1910 United States Census
Name / Age
Jackson Hee, 40 (born in China; private school teacher)
Lee See Hee, 37 (born in China)
Chong Hee, 11
Ngu Hee, 09
Lung Hee, 7
Ku Heem 5
Chaw Hee, 4 (spelling in census)
Bew Hee, 1

Wai J. Char, Tin-Uke Char
Hawaii Chinese History Center, 1988
page 120
…Jackson School was then located on the ewa side of what is today the Smith Street parking lot in Chinatown. Its principal was Jackson HEE, a disciplinarian and academic classicist. HEE had taught Chinese in Lahaina, Hanapepe, and Honolulu, and was editor of the Hilo Sun Wan Daily News, Honolulu’s Hawaiian Chinese News, and New China Press. He retired to China in 1922 at age sixty-one after thirty years in Hawaii. His son is the internationally known artist Hon Chew HEE.
Honolulu, Hawaii, Passenger List
Name: Chew Hee
Age: 15 [sic]
Ship: Siberia Maru
Port of Departure: Hong Kong, December 31, 1920
Port of Arrival: Honolulu, Hawaii, January 23, 1921

Honolulu, Hawaii, Passenger List
Name: Chew Hee
Age: 22
Ship: Siberia President Madison
Port of Departure: Hong Kong, August 14, 1928
Port of Arrival: Honolulu, Hawaii, August 30, 1928

California, Passenger List
Name: Hon Chew Hee
Age: 23
Ship: President Jefferson
Port of Departure: Honolulu, Hawaii, August 15, 1929
Port of Arrival: San Francisco, California, August 21, 1929

1930 United States Census
902 Clay Street, San Francisco, California
Name / Age
Hon Chew Hee, 24 (head of the household had no occupation)
Hung T. Leong, 32 (lodger was a newspaper printer)

Honolulu, Hawaii, Passenger List
Name: Chew Hee
Age: 26
Ship: President Jackson
Port of Departure: San Francisco, California, July 1, 1932
Port of Arrival: Honolulu, Hawaii, July 7, 1932

Honolulu, Hawaii, Passenger List
Name: Chew Hee
Age: 26
Ship: President McKinley
Port of Departure: Honolulu, Hawaii, July 21, 1932
Port of Arrival: Hongkong, August 8, 1932

Daily Worker
(New York, New York)
June 26, 1937
Art Patrons Exhibition [the second annual National Exhibition of American Art]
…In such a large show there naturally would be a fair amount of good pictures and sculpture. From the Hawaiian Islands Hon Chew Hee sends a colorful canvas of Waimea Canyon and Madge Tennent a violently flickering “The New Holoku.”…
The New York Times
June 20, 1937
The Municipal Art Committee Assembles Work From Every Part of the Union
A way out in the Hawaiian Islands Hon Chew Hee has painted the unholy splendor of color in Waimea Canyon….
1940 United States Census
1011 Pawaa Lane (rear), Honolulu, Hawaii
Name / Age
Sam W Young, 31 (head of the household)
Bertha C Young, 29
Mary Ann Young, 8
Vernon Young, 5
Donna Young, 3
Chock Ying Young, 19
Yen Sau Young, 17
How Chew Hee, 32 (lodger, art teacher)

New York Sun
February 24, 1940










(New York)
March 3, 1940
New Gallery
As its premier exhibition, the Schoenemann Galleries have selected a group of 43 watercolors and drawings by Hon Chew Hee, who was born in Honolulu of Chinese parents.

Single figure studies dominate the show. “Sleeping Chinese Boy" is easily the outstanding paper here. In most of his subjects, Hon Chew Hee concerns himself chiefly with the silhouette outline characteristics of his sitters, indicating the merest suggestions of form beyond the two dimensional aspect. He is a promising young artist, with keen observing faculties and cleverness of hand. 

As a member of the Hawaiian Mural Guild, Mr. Hee does himself an injustice by omitting group compositions from this exhibit.
The New York Times
March 3, 1940
A Reviewer’s Notebook
Very indirect and dilute is the oriental influence in the water-color drawings by Hon Chew Hee, a Hawaiian-born Chinese, whose work may be seen at the Schoenemann Gallery, 605 Madison Avenue. Most of his subjects are in the figure field and they are distinguished by cleverness and fluency of line. One seated nude suggests a Daibutsu; another curiously resembles a Rodin wash-drawing. It is light and charming depiction, most of it quite personal.
World War II Draft Card
Name: Hon Chew Thomas Hee
Age: 34
Birth Place: Kahului
Birth Date: January 24, 1906
Residence Place: Honolulu, Hawaii
Registration Date: October 26, 1940
Employer: Ko Fong Lum
Weight: 120
Complexion: Light Brown
Eye Color: Brown
Hair Color: Black
Height: 5 4
Next of Kin: Ko Fong Lum

(China)
October 12, 1945
Marjorie Wong Is Bride of H.C. Hee, Honolulu Artist






























Kingston Daily Freeman
(New York)
July 11, 1949
Woodstock News
Art Exhibition Is Opened at Gallery; Will End July 20
Woodstock, July 11— One hundred and 31 painters and eight sculptors are represented in the art show which opened Friday afternoon at the Woodstock Art Gallery. Sponsored by the Woodstock Artists Association, the exhibition is said to be the most comprehensive show of the season.

Paintings by prominent artists are hung with those of students and artists who are not so well known. The unusual variety of the work on view tends toward a most interesting exhibition. It is a non-jury show and required only, that the work meet size limitation, under 30 inches including frame. The show will continue until July 20 and will be open to the public weekdays from 11 a.m. to 6 p.m.; Saturdays, 10 a.m. to 9 p.m. and Sundays, 11 a.m. to 4 p.m.

The exhibition includes…Farmer's Blessing, Hon Chew Hee…
Honolulu, Hawaii, Passenger List
Name: Chew Hee
Age: 43
Address: 1039 Wong Lane, Honolulu, Hawaii
Ship: Ile de France
Port of Departure: New York, New York, September 7, 1949
Port of Arrival: Le Havre, France

The Chinese in Hawaii: A Historical Sketch
Robert M. Lee
Advertiser Publishing Company, 1961
The Group, which later became affiliated with the Chinese Art Club of San Francisco, had headquarters in the studio which John C. Young, the first president, and Hon-Chew Hee, the first treasurer. It was above M’s Tavern at Fort and Merchants Sts.

August 22, 1993
Air Terminal for Hawaii
A new Interisland Terminal has opened at Honolulu International Airport on the island of Oahu in Hawaii….

The Interisland Terminal is planted with flora native to Hawaii, including lauae fern, mondo grass and palm trees. Two 180-foot-long murals depicting Hawaiian legends and cultural scenes, painted by the late Hon Chew Hee, hang in the main lobby….

Further Reading and Viewing
WikiVisually (scroll to bottom)


(Next post on Friday: Peg O’Wing, Actress)

Monday, March 11, 2013

About the Artist: Wylog Fong

1900 United States Census
Name: Lock Fong
Home in 1900: San Francisco, San Francisco, California [22 Waverly Street]
Age: 6
Birth Date: Jan 1894
Birthplace: California
Race: Chinese
Gender: Male
Relationship to Head of House: Son
Father’s Name: Jung
Father’s Birthplace: China
Mother’s Name: Chu See
Mother’s Birthplace: China
Marital Status: Single
Residence: San Francisco City, San Francisco, California
Household Members:
Name / Age
Jung Fong 46 [Tailor]
Chu See Fong 34
Pa Lee Fong 15
Tai Fong 12
On Fong 9
Lock Fong 6
How Fong 5
Hing Fong 3
May Fong 1

1910 United States Census
Name: Way Lock Fong
Age in 1910: 17
Birth Year: abt 1894
Birthplace: California
Home in 1910: Sacramento Ward 1, Sacramento, California
Race: Chinese
Gender: Male
Relation to Head of House: Son
Marital Status: Single
Father’s Name: Goe Fong
Father’s Birthplace: China
Mother’s Birthplace: California
Household Members:
Name / Age
Joe Fong 56
Young On Fong 19
Way Lock Fong 17
Way How Fong 11
Haning Fong 10

World War I Draft Card
Name: Wylog Fong
Address: 287 Davis Street
City: Portland
County: Multnomah
State: Oregon
Birthplace: California
Birth Date: 22 Feb 1897
Draft Board: 1
Age: 21
Occupation: Student
Nearest Relative: Joe Fong
Height/Build: Short/Slender
Color of Eyes/Hair: Dark Brown/Black
Signature: June 6, 1918

1920 United States Census
Name: Wy Lok Fong
Home in 1920: Portland, Multnomah, Oregon [67 1/2 North Fourth Street]
Age: 23 years
Estimated Birth Year: abt 1897
Birthplace: California
Relation to Head of House: Son
Father’s Name: Jong
Father’s Birth Place: China
Mother’s Birth Place: China
Marital Status: Single
Race: Chinese
Sex: Male
Able to read: Yes
Able to Write: Yes
Household Members:
Name / Age
Jong Fong 65
Wy Lok Fong 23 [Artist; Landscapes]
Wy Heo Fong 21
Wy See Lock 55
Emilis Lock 31
Susie Lock 13
Frank Lock 12
Jean Lock 10
Edwin Lock 7
Calvin Lock 5
Sarah Lock 3
Chester Lock 7/12

1940 United States Census
Name: Fong W Log
Age: 46
Estimated Birth Year: abt 1894
Gender: Male
Race: Chinese
Birthplace: California
Marital Status: Single
Relation to Head of House: Lodger
Home in 1940: Los Angeles, Los Angeles, California
Street: Wall Street
House Number: 1115
Inferred Residence in 1935: Los Angeles, Los Angeles, California
Residence in 1935: Los Angeles
Father's Birthplace: China
Mother's Birthplace: China
Occupation: Sketch Artist
Attended School or College: No
Highest Grade Completed: Elementary school, 3rd grade
Hours Worked Week Prior to Census: 16
Class of Worker: Working on own account
Weeks Worked in 1939: 30
Income: 0
Income Other Sources: Yes
Native Language: Chinese
Veteran: Yes
Military service: World War
Social Security Number: Yes
Usual Occupation: Artist
Usual Industry: Art
Usual Class of Worker: Working on own account
Household Members
Name / Age
Walter Hansew 38
Lulu Hansew 50
Juan Louie 21
Edward J Fink 64
SE Ehun Wong 19
Royse R Shinyff 43
James Brunett 37
Edward J McKinney 46
Harvey Reared 46
Fong W Log 46

1950 United States Census
Name: Wylog Fong
Age: 53
Birth Date: abt 1897
Gender: Male
Race: White
Birth Place: California
Marital Status: Never Married
Relation to Head of House: Lodger
Residence Date: 1950
Home in 1950: Los Angeles, Los Angeles, California
Street Name: Huntley Drive
House Number: 1229 1/2
Dwelling Number: 306
Farm: no
Acres: no
Occupation: Paints (Artist)
Industry: Paints Pictures
Occupation Category: Wk
Hours Worked: 40
Worker Class: Own Business
Household Members
Sue Howard 49 [Legal Secretary]
Wylog Fong 53

California Death Index

Name: Wy L Fong
Sex: Male
Birth Date: February 22, 1894
Birthplace: California
Death Date: September 5, 1974
Death Place: Los Angeles

American Art Annual
Volume XX, 1923-1924
Who’s Who in Art
page 519, column two:
Fong, Wylog, 287 Davis St., Portland, Ore. (P.) [Painter]

































Asian American Art: A History, 1850-1970
Gordon Chang, Mark Johnson, Paul Karlstrom
Stanford General Books, 2008
page 311: Fong, Wy Log
Born: February 22, 1894, San Francisco, CA
Died: September 5, 1974, Los Angeles, CA
Residences: 1894-ca. 1914, San Francisco, CA
ca. 1914 - ca. 1930, Portland, OR
ca. 1930 - ca. 1954, San Francisco and Los Angeles
ca. 1954 - 1974, Los Angeles, CA

Wy Log Fong was a successful painter and illustrator in the 1920s and 1930s. Many of his works survive today, including original paintings, plus prints produced by the West Coast Engraving Company of Portland, Oregon, to which he was under contract in the 1920s. After moving from San Francisco, Fong attended high school in Portland, where he studied art at the Museum Art School. Fong is listed in the 1928 Portland city directory; however, it is unclear how long he remained in the Portland area. He later moved back to San Francisco and then to Los Angeles, where he attended the Art Students League. He was described as a sidewalk pastel portrait artist in Los Angeles’ Chinatown.

Fong created genre portraits of Chinese men, women, and children, similar in style to the work of early-twentieth-century painter Esther Hunt. Fong’s paintings contained stereotypes of his subjects, perhaps to appeal to non-Chinese audiences. one interesting aspect of his career are the works he painted on velvet from the teens to the 1930s. While velvet paintings date back to the eighteenth century, the origination of the modern kitsch form in the United States has been attributed to Edgar Leeteg, who was active in the 1930s and 1940s. The earlier dates of Fong’s work may mean that he was the first artist in the United States to work on velvet.

A Heaven in the Eye
Clyde Rice
Breitenbush Books, 1984
page 24: A month went by, and I had improved enough to enter the life classes. The girl—her name was Evelyn Nordstrom—was there, along with Mr. Wentz, the teacher. The rest seemed to be strangers to me and all older, until I saw a Chinese fellow whom I had known in high school—Wy Long Fong—who greeted me. There were two Japanese men and a woman, Catherine McKenzie, to whom Evelyn introduced me, and who was to become a friend of long standing.

page 25: Very quickly my circle of acquaintances grew. I met Kinzu Furiya, Mizino, Charles Heaney and other students who were in the advanced day-class under Harry Wentz, the teacher. Kinzu Furiya was a red-cheeked Japanese of about forty—a well-read Oriental philosopher whose paintings were tied much more to Oriental concepts than our own. Mizino, also Japanese, was a tiny, mouse-like man who painted landscapes in the western tradition. Charles Heaney, a slender fellow of about twenty-four, was very eager to push on with his studies. And then there was Wy Long Fong, my high school acquaintance, who was already a superb draftsman and a fine painter.

page 27: Then one evening, as we were engrossed as usual in our drawing, there was a knock at the door and the white-haired art critic entered. He told us to go on with our work, but soon was helping Heaney with his drawing. He looked at mine as well, after which he gave me that incisive, knowledgeable wisp of a smile and turned to Fong. At length the model left, and we gathered around to talk. He talked marvelously well about artists, about materials. He dripped names. He was a friend of Trotsky’s, knew this and that about prominent radicals, and gave fleeting glimpses of himself as an intelligence officer in the French military. It was a splendid performance. We asked him to come often, telling him that we needed a critic. Smiling with suave irony, he said he’d help for the price of a Chinese dinner after the meetings. We were happy with the terms.

Oregon, End of the Trail
Workers of the Writers' Program of the Works Projects Administration in the State of Oregon
1940
page 130: Wylong Fong, a young Chinese artist living in Portland some fifteen years ago, created vividly in oils but is best remembered for Oriental figure studies done with pastels on velvet. Phyllis Muirden, teaching art in Portland high schools, has executed some much-admired water colors

They Painted from Their Hearts: Pioneer Asian American Artists
Mayumi Tsutakawa (Editor), Alan Chong Lau (Editor), Kazuko Nakane (Editor)
University of Washington Press, 1995
page 82: Wylog Fong (1896?-1971?); Oil painter and illustrator
Born in San Francisco; ca. 1913 moved to Portland with his family; before 1920 moved to San Francisco and Los Angeles; was a sidewalk pastel portrait painter in Chinatown, Los Angeles.
Exhibited: Portland Art Association Museum of Art, 1922

Oregon Painters: The First Hundred Years (1859-1959): Index and Biographical Dictionary
Ginny Allen, Jody Klevit
Oregon Historical Society Press, 1999
page 158: Fong, Wylog
b. ca. 1900 San Francisco
d.
Education: Museum Art School
Exhibits: Portland Art Museum
References: DAV (Davenport, R.J. 1996-97. Davenport’s Art Reference and Price Guide); HUG (Hughes, Edan M. second edition, 1989. Artist in California 1786-1940); OET (Corning, Howard McKinley, 1951. Oregon, End of the Trail); WWW (Falk, Peter, ed. 1985. Who Was Who in American Art); A2 (Portland Art Museum, Non-juried Exhibits, 1920, 22); A4 (Portland Art Museum, Group Exhibits, 59); CD (Portland City Directories. Artist Listing, 1918)
Media: Oil, Pastel
Specialty: Chinese Figure

Wylog Fong was born about 1900. He attended high school in Portland and later studied at the Museum Art School. There he met Clyde Rice, who mentions their association in his book, A Heaven in the Eye. Fong exhibited his oils and pastels at the Portland Art Museum. He listed a Los Angeles address in 1959.

A Seed of Modernism: The Art Students League of Los Angeles
Marian Yoshiki-Kovinic, Dr. Will South, Julia Armstrong-Totten
Pasadena Museum of California Art/Het Day Books, 2008
page 72: Plate 26, watercolor
page 73: Plate 27, watercolor
page 103: Wylog Fong (1894-1974), painter, illustrator, model
(excerpt)...He later returned to San Francisco and then to Los Angeles, where he attended the League during the period when Macdonald-Wright was director. Macdonald-Wright used him as a model for many of his paintings and drawings. At the League Fong was an integral part of the group of students and a regular attendee of the Saturday night “stag parties,” where a variety of ethnic cuisine was prepared and served. In 1937 Fong illustrated an article, “Fong Sad as New Year Customs Wane,” for the Hollywood Citizen-News, explaining how disappointing it was to see that the Lion Dance had replaced the traditional Dragon Dance at Chinatown’s celebration of the Chinese New Year..... —Marian Yoshiki-Kovinick



(Next post March 15: Chinese Art at the Whitney Gallery)