Showing posts with label James Wong Howe. Show all posts
Showing posts with label James Wong Howe. Show all posts

Friday, May 6, 2022

Anna May Wong and James Wong Howe in Motion Picture Herald

Cast of Shanghai Express: Anna May Wong sits between 
Warner Oland (left) and James Wong Howe (right).



















Thursday, May 12
Piccadilly (1929)
Shanghai Express (1932)
Daughter of the Dragon (1931)

Thursday, May 19
Daughter of Shanghai (1938)
A Study in Scarlet (1933)
When Were You Born (1938)
Yellowface: Asian Whitewashing and Racism in Hollywood (2019)

Thursday, May 26
Lady from Chungking (1942)
Impact (1949)
Portrait in Black (1960)


Related Posts




Monday, December 7, 2015

Exhibitors Herald-World, January–March 1929






















January 5, 1929
Page 28, column 1: James Wong Howe (above)

January 26, 1929
Page 40, column 3: Joe Wong






















January 26, 1929
Page 24, top right photograph: Bo Ling in
Let’s Make Whoopee (above)

February 9, 1929
Page 60, column 1: Joe Wong






















February 16, 1929
Page 30, top left photograph: Anna May Wong (above)






















February 23, 1929
Page 31, top left photograph: Chinese women twins in Twin Revue which was retitled Climbing the Golden Stairs

March 2, 1929
Page 38, column 1: Anna May Wong in Piccadilly

March 23, 1929
Page 25, column 1: Anna May Wong in Piccadilly

March 30, 1929
Page 39, column 1: Anna May Wong in Piccadilly


Related Posts

Anna May Wong in The Toll of the Sea
Anna May Wong, Illustrated
Anna May Wong by Armando Drechsler
Anna May Wong in Look Magazine

James Wong Howe, International Photographer
James Wong Howe, Cinematographer
The Man Who ‘Shot’ Lincoln
James Wong Howe’s Stars
James Wong Howe in Look Magazine
Dong Kingman by James Wong Howe

Friday, September 26, 2014

The Citizens’ Committee to Welcome Madame Chiang Kai-shek

James Wong Howe was on the Citizens’ Committee to Welcome Madame Chiang Kai-shek; see page  seven, column two.

pages eight and one

pages two and three

pages four and five

pages six and seven























































(Next post on Friday: Paul Fung in the Seattle Star)

Saturday, May 4, 2013

James Wong Howe in Look Magazine

Look
December 26, 1944
“Chinatown, San Francisco”
James Wong Howe focuses his searching lens on his people in America 

To get behind the tourist front in San Francisco’s Chinatown, LOOK commissioned photographer James Wong Howe to put on film what he considers its outstanding aspects. Howe’s qualifications: 1. He is a top-flight Warner Brothers cinematographer of extraordinary ability; 2. He is Chinese, could thus get past the tourist barriers.

Howe approached his problem with an understanding eye, caught even such symbolic touches as the War Bond poster at left being relettered so that older Chinese might clearly grasp its significance.

The introduction of Chinatown’s inhabitants to America was not pretty. Imported as coolie laborers to build railroads that opened the West, they were excluded from further immigration in 1882 despite their part in making this country great. The barrier was lifted only recently, 62 years later.

Through the land of their ancestors is torn by internal dissension, the residents of Chinatown, San Francisco, and Chinatowns elsewhere in the U.S. are solidly united in the war effort. The day of the queue and the tong war has passed. Chinatown still appears Chinese, but beneath its oriental facade, it is as American as a piping plate of Boston baked beans.

(click images to enlarge)