Friday, May 22, 2015

Rose Law Yow

born January 20, 1901, Oregon

1910 United States Federal Census
711 17th Avenue, Seattle Ward, Washington
Name / Age
Loe Yow 48 [China; Foreman/Cannery]
Suey Yow 28 [California]
Rosie Yow 10 [Oregon]
Daisy Yow 2 [Washington]

Tolo Annual 1919
Franklin High School
Seattle Washington
Rose Law Yow, senior class and staff artist




































Missions: American Baptist International Magazine
? 1918
9. Piano Solo, Barcarole in A...Rose Law Yow

The Chinese Students’ Monthly
January 1919
...Miss Rose Law Yow, Secretary and Treasurer...

The Chinese Students’ Club of Washington















The Chinese Students’ Monthly
June 1919
...Miss Rose Law Yow reported us an interesting current event on Poison, considering the smuggling of morphine into China by Japan. Miss Law Yow after graduating from High School this June expects to attend the State University.

1920 United States Federal Census
320 15th Avenue, Seattle, Washington
Name / Age [Birthplace]
Law Yow 57 [China; Foreman/Cannery]
Helen Yow 37 [China]
Rose Yow 18 [Oregon]
Daisy Yow 11 [Washington]
Amy Yow 7 [Washington]
Edwin Yow 4 [Alaska]

Washington, Chinese Passenger
Rose Law Yow
September 3, 1920
Seattle, Washington
S.S. Princess Charlotte

The Chinese Students’ Monthly
December 1920
A List of Contributors
Yow, Rose Law

Catalogue: University of Washington, 1921
Register of Students 1920–1921
Yow, Rose Law LD, FA Seattle

Christian China
March 1921
...In the interval, Rose Law Yow, Lena Chinn, Lonnie Woo and Lily Chinn presented musical numbers.

Christian China
October 1921
...Miss Rose Law Yow, Second Vice Chairman...

The Chinese Students’ Monthly
November 1921
Rose Law Yow has been elected vice-president of Lambda Rho and secretary of U. of W. Arts Club...

The Chinese Students’ Monthly
December 1921
...officers are: Rose Law Yow, Chairman, 320 15th Ave....

The Chinese Students’ Monthly
March 1922
...The resignation of Rose Law Yow was accepted...

Chinese Student Christian Association in North America
1922 Yearbook
Seattle—Miss Rose Law Yow, 320 15th Ave., S., Seattle, Wash.

The 1923 Tyee
University of Washington
Senior Class Photograph
Lambda Rho
The Junior Girls’ Vodvil
Chinese Students Club

















California Death Index
Rose Law Soo [Rose Law Yow]
Birth: January 20, 1901, Oregon
Death: February 10, 1951, Los Angeles



Friday, May 15, 2015

Keye Luke and The Lost Dove

Ann Fisher
House-Warven Publishers, 1953
(click images to enlarge)

Slipcase, cover and interior pages












































(Next post: Rose Law Yow)

Friday, May 8, 2015

Friday, May 1, 2015

Views from Asian California, 1920-1965

An Illustrated History by Michael Brown
1992 (self-published)




















A private collection of artwork by artists of Chinese and Japanese descent in California. Below is a list of the Chinese American artists, most of whom are represented by artwork. Dates are from the book.

Eva Fong Chan (1897–1991), profile
Wah Ming Chang (1917– ), profile, two wood block prints, etching, and pastel drawing
George Chann (1915– ), profile and three oil paintings
David Paul Chun (1899– ), profile one woodcut and two lithographs
Yun Gee (1906–1963), profile
Hon-Chew Hee (1905– ), profile and two oil paintings
Dong Kingman (1911– ), profile and two watercolors
John Kwok (1920–1983), profile
Chee Chin S. Cheung Lee (1896– ), profile, watercolor and oil painting
Jake Lee (1915–1992), profile and watercolor
Peter Lowe (1913–1990), profile
Keye Luke (1911–1991), profile
Wing Kwong-Tse (1902– ), profile and watercolor
Nanying Stella Wong (1914– ), profile
Tyrus Wong (1910– ), profile
Gary Woo (1928– ), profile and oil painting
Jade Fon Woo (1911–1893), profile and two watercolors
Ling-fu Yang (1889–1978), profile
Richard Yip (1919–1981), profile and two watercolors
Lai Yong (1840–?), profile
John Chin Young (1909– ), profile and watercolor
Si Chen Yuan (1911–1974), profile and oil painting

(Next post on Friday: Tyrus Wong and Venus Water-Coloring Pencils)

Friday, April 24, 2015

Wah Ming Chang and Cleopatra

Life
October 6, 1961
cover and page 97





















Wah Ming Chang, Tim Barr and Gene Warren were partners in Project Unlimited, a TV and film prop company.

Life and Sculpture of Wah Ming Chang
David Barrow and Glen Chang
1989
pages 16 and 19: [Project Unlimited] fabricated the headdresses worn by Elizabeth Taylor in “Cleopatra,” one of which appeared on the October 6, 1961 cover of Life Magazine.

(Next post on Friday: Views from Asian California, 1920-1965)

Friday, April 17, 2015

Wah Ming Chang Bookshelf

Movie Magic: The Story of Special Effects in the Cinema
John Brosnan
St. Martins Press, 1973
Chapter 8: The Science Fiction Films
page 196: (about George Pal and the film, The Time Machine)
…Other special effects on The Time Machine were handled by Gene Warren, Tim Barr and Wah Chang. A sequence they handled is the one showing the Time Traveller and his machine being entombed in rock as he continues to speed into the future, then later showing the rock melting away as a result of thousands of years or erosion…

Warren, Barr and Chang, who had formed themselves into the company called Project Unlimited, again worked for Pal on his The Wonderful World of the Brothers Grimm, a film which contained a lot of three-dimensional animation, as did Pal’s next film The Seven Faces of Dr. Lao.

















Enterprise Incidents: The Second Star Trek Tribute Book
Schuster and Schuster, 1988
pages 56 to 63: “Wah Chang: From Disney to Star Trek”
Eight-page illustrated interview with Wah Chang, special FX designer who worked on the 1960s Star Trek and designed alien make-ups, the tricorder and the original Romulan ship from “Balance of Terror”.


















Life and Sculpture of Wah Ming Chang
David Barrow and Glen Chang
1989

















Views from Asian California, 1920–1965: An Illustrated History
Michael D. Brown
M. Brown, 1992
page 14: profile

Sci-Fi TV: From the Twilight Zone to Deep Space Nine
James Van Hise
Harper, 1995
Chapter 3: From Inner Mind to Outer Limits
page 38: ...The special effects for The Outer Limits were by Project Unlimited, which also worked with George Pal on such films as The Time Machine and The Seven Faces of Dr. Lao. Projects [sic] Unlimited was founded by Gene Warren, Tim Barr and Wah Chang. “We were in from about the beginning of Outer Limits the first year,” Chang recalls….

“In the case of Outer Limits, as with most of these TV things, they were very hurried. We would get a rough script and in some cases a lot of the masks had to be fitted to the actor who was wearing it, so we’d have to take a life mask. Sometimes they wouldn’t cast the character until a week before they were going to shoot, so you’d be working day and night to get the thing done.”

page 40: ...In the episode the creature is never seen head to toe in one shot but rather we see its face, then a glimpse of an arm, and a shot of its legs. The effect is quite weird. Because of the way it was photographed, the creature seemed like it couldn’t possibly be a man in a suit but seemed like it must be some sort of huge marionette. But Wah Chang has a photograph he took of the costume when it was finished and was being worn by the stuntman. The trick was that the stuntman had to wear the costume while crouching, with his hand supported by stilts.

“It was a very difficult thing,” Chang confirms, ”and it really took an athlete to wear this thing. That was worn by stuntman Janos Prohaska….We had a number of actors on Outer Limits who were not well-known at that time, like Robert Culp, who went on to become stars.”

page 52: ...“The Invisible Enemy” is an effective episode about a spaceship crew on Mars investigating the disappearance of the previous mission on the planet….

Project Unlimited provided the effects, using a hand puppet monster made by Wah Chang….

















Wah Ming Chang: Artist and Master of Special Effects
Gail Blasser Riley
Enslow, 1995



















Cinefantastique
Number 11/12, July 1996
Props and Features: Creatures by Wah Ming Chang





















Inside Star Trek: The Real Story
Herbert F. Solow and Robert H. Justman
Pocket Books, 1997
page 50: The huge rubber heads of the Keeper and her cohorts were created by Wah Chang, a designer-sculptor with whom I had worked on The Outer Limits. He also created some unusual creatures that were kept captive, along with Captain Pike, in the Talosians’ “menagerie.” Wah would later become a source of other creatures and devices for Star Trek

page 118: Then I called Wah Chang and Gene Warren at Project Unlimited, the prop design and manufacturing house that had supplied The Outer Limits with many of its special props and creatures. They had designed and constructed the Talosians’ heads in the first pilot and would later create the Balok effigy for “The Carbomite Maneuever,” the salt-sucking monster for “Man Trap,” and the reptilian Gorn adversary fought by Kirk in “Arena.” In Star Trek’s second season, their most beloved creatures were the prolific, but cute, furry little critters in “The Trouble with Tribbles.”

Gene and Wah had a good working arrangement. Gene handled the business end of things, and Wah, an extremely talented sculptor, designed and fabricated whatever wild creatures or props were needed.

Wah Chang also designed and built the famous flip-open communicators used by Kirk and company when they beamed down from the ship to the planet below, and the medical tricorder used by Doctor McCoy….

page 119: I called a meeting with Wah Chang and Gene Warren. I struck a deal and gave them Matt’s detailed working drawings, and they departed, with Wah already planning how he would execute Matt’s phaser pistol design, in addition to building the two other props. He finished everything perfectly and made several beautiful hero models of all three props, and all the dummy mockups that I knew the show would require.

The studio’s prop makers complained to their union, and their union complained to the studio that the new props couldn’t be used; Wah Chang was not a union member. They insisted that we use only props built by union members at the studio.

page 120: …The union played hardball, so I decided to play hardball, too. “We didn’t hire Wah. He designed and built these things himself, independently of us.” (It was only a little fib. He had designed and built the “tricorder” and communicator props. But definitely not independently.) I continued, “And when we happened to see them, we liked them so much that we bought them outright, on the spot.”

page 214: …When creatures were required, outside specialists were consulted. Wah Chang designed and built the Gorns for “Arena.” They were green and resembled some aquatic creatures he had created for The Outer Limits. The full-body suits were made of rubberlike compound, but owing to their weight and limited flexibility, even stuntmen needed great endurance to wear them.

page 215: photograph of Gorn costume

page 338: …I hadn’t told them that Wah Chang was crippled from the effects of polio. So Ed and Gregg could only watch and react in stunned sympathetic silence as Wah Chang made a stiff-legged torturous entry, both of his legs encased in jointed metal braces that had to be unlocked at the knees before he could sit. After introductions were made, Gene Warren unlocked Wah Chang and we all sat down.

…Wah Chang and I did all the talking. We discussed design, cost, and delivery date while Eddie and Gregg just sat there, listening.

When the meeting was over, Wah Chang straightened out the braces and locked them into place, a process that resulted in lots of metallic clicking noises. With Wah Chang’s legs now rigidly extended out in front of him, he needed help to rise. Gene Warren, in a well-practiced move, helped lift him to his feet. Wah Chang departed, the way he entered, clicking and clanking as he slowly strode, stiff-legged, toward the door. Braces locked at the knees, Wah Chang had to swing each leg from the hip. Throughout it all, Gene Warren stayed close, for support…

page 439: Wah Chang (Star Trek prop and creature designer-builder) worked on many other shows designing masks and headdresses for such major films as The King and I and Can-Can. Elizabeth Taylor wore one of his most spectacular creations in Cleopatra. Now retired from prop and costume making, he resides in Carmel Valley, California with his wife, Glen. He is widely recognized as an accomplished sculptor.





















Star Trek Sketchbook: The Original Series
Herbert F. Solow and Yvonne Fern
Pocket Books, 1997
pages 222 to 254: Last chapter is devoted to Wah Ming Chang. It includes newspaper articles from the 1920s; a letter from Walt Disney; photograph of him and others with their Academy Award for the special effects on The Time Machine; photographs of masks for the film, The King and I; material from the TV series, Star Trek; a photograph of his wife, Glen; and several photographs of Wah Ming Chang.





















Leading the Way: Asian American Artists of the Older Generation
Irene Poon
Gordon College, 2002
pages 14 (profile) and 15 (photograph)

Filmfax
92, August/September 2002
pages 58–65, 84: Wah Ming Chang, Master of Monster Macabre!
Profile and interview illustrated with 30 photographs and drawings





















Wah Ming Chang and Tyrus Wong: Two Behind the Scenes
Irene Poon, curator
Chinese Historical Society of America, 2003
Exhibition catalogue; July 15 to December 28, 2003

(Next post on Friday: Wah Ming Chang and Cleopatra)